On Writing

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    The money pit …

    Jim C. Hines (whose Jig the Goblin books I like) has an interesting post up about money and writing. Go check it out.

    Why am I mentioning this? Mainly, because of my cousins. They were recently in town, and whenever I see them, I always get questions about how much money I’m making on my books and when I’m going to quit my day job. Everybody seems to think that I’m getting rich or something. Trust me when I tell you that I’m not — not even close.

    The book business is really not as glamorous as people think. And no, I’m not making wads of money. To illustrate this, I thought I’d do a post about where an author’s money goes. The numbers below are completely hypothetical and for illustrative purposes only. With that caveat, here goes:

    $10,000: Say you sell a book, and you get an advance of $10,000. Given the economy and the way publishing is floundering right now, this is a pretty good advance — especially if you’re a debut (new) author. Your agent automatically gets 15 percent — or $1,500 — of this money. So you have $8,500 left.

    $8,500: Uncle Sam is going to take about another 15 percent of what’s left after you pay your agent — $1,275. It’s a little thing called self-employment tax, and it sucks. So now, you have $7,225 left.

    $7,225: Say you like to save money and you put this in the bank. You’re going to have to pay taxes on the interest that it earns. Just to make the numbers easier, let’s say that’s $25. So now, you have $7,200 left.

    $7,200: Now, it’s time to do promotion. Getting bookmarks/business cards/letterhead made can easily run $1,000. Let’s say you spend that much on paper products/office supplies/etc. and another $1,000 on creating a Web site. That’s $2,000, so now you have $5,200 left.

    $5,200: Now it’s time to buy ads. Depending on the size you want, a single ad can easily cost $500 — more if you want color. Let’s say you drop another $1,000 on advertising. Now, you have $4,200 left.

    $4,200: You’ll probably want to travel to a conference or two when your book is out to promote it and maybe meet your editor/agent. Conferences can be expensive. Let’s budget another $2,000 for travel/hotels/food/conference fees. Now, you have $2,200 left. Do you see where this is going?

    $2,200: Postage is also a major expense. You’ve got to mail out books to contest winners, bookmarks for promotion, etc. Let’s say you spend another $200 on postage — and I am being very, very conservative here just to keep the numbers even.

    $2,000: Let’s say this is what you’re left with after all the taxes, expenses, etc. That $10,000 advance isn’t looking like so much now, is it?

    $1,000 per month: Now, let’s consider your time. Say you write fast, and it took you about two months to write your book. So you’ve made $1,000 per month of work. Not great, but not bad, right? Wrong. Because we haven’t talked about the revisions, copy edits, and page proofs you’ve had to do for your editor.

    $500 per month: Let’s say the revisions, etc. take another two months to do. So now, you’re down to making $500 for four months of work on your book — and this doesn’t even factor in all the hours you spent on promotion or gas to drive to post office or a hundred other things that crop up in an author’s life. Which brings us to this …

    $0: Sadly, this is probably what you’re going to end up with out of that $10,000 advance when you consider taxes, promotion, your time, etc.

    So really, being a writer is like being in a money pit. Every little thing sucks those precious dollars out of your hands. Authors write books because they love writing, not because they’re making fortunes. Almost every author I know has some sort of day job to help support themselves, including yours truly.

    Anybody who thinks that writing is a quick ticket to getting rich is crazy. And us authors? We’re probably the craziest ones of all for doing it. But hey, love does strange things to people …

    Got questions? I’ll answer what I can in the comments.

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    Random quote …

    So I’ve been going back and listening to all my old Jimmy Buffett CDs. (I’m a huge fan of his). And I came across this little gem of a line from a song called If I Could Just Get It Down On Paper:

    Life and ink

    They run out at the same time

    Or so said

    My old friend the squid

    I think the first two lines are a perfect motto for writers, don’t you? 😎

    What about you guys? What are some of your favorite musical quotes? Share in the comments.

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    ‘Tis done … for now …

    So I’ve finished my latest round of edits and finally sent Assassin 3 to my agent for her reading pleasure. It clocks in at 99,267 words. Huzzah! I’m always glad to finish a project and move on to something else. And hey, now I can mark this one off my 2009 resolutions list. :ww:

    I’m kind of anal-retentive (i.e. insane) about working ahead. I like to get things done well in advance. Just to let you know how crazy I am about working ahead, here are some tidbits: Assassin 3 isn’t due to my editor until June, and it won’t be published until October 2010. But I’ve passed it on and gotten the wheels rolling, even if they do grind slowly at times.

    I’ve got a bit of a lull now while I wait for my agent to read Assassin 3 and get back to me with comments/revision suggestions/etc. So I’ve decided to try my hand at writing a young adult novel. I’ve never written a YA before, and I’m wondering if I can even do it. Can I get the voice right? Will it come off as cool? Or just stilted and dumb?

    Those are the kind of thoughts I have with every book, but more so with the YA since this is uncharted territory for me. But I’ve got my concept and overall story in mind, and I’ve even decided on a working title: Quiver. Think Robin Hood meets the Scarlet Pimpernel. With magic and stuff. (And yes, I totally know there’s a Green Arrow graphic novel with the same title. But you can’t copyright titles.)

    Right now, I’ve feeling pretty jazzed about writing Quiver. I bored poor Wheezley to tears last night talking about it. We’ll see how I feel when I’m 50,000 words in, my wrist is killing me, and I think that it’s all crap. Ah, well. It will be a learning experience if nothing else …

    What about you guys? What projects are you working on right now — writing or otherwise? Share in the comments.

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    One down, lots more to go …

    Well, I can mark one of my 2009 writing resolutions off the list. I’m doing a final read-through and edit of Assassin 3 before I send that to my agent to read. I should be done with it by the end of the week.

    I always love sending projects off to the agent. Makes me feel like I’m actually accomplishing something, instead of just wasting hours in my office typing like a madwoman. 😈

    Next up, I think I’m going to venture into new territory and try to write a young adult novel. I have an idea that I’ll share when I get it a little more fleshed out.

    What about you writers out there? What are you working on right now? Share in the comments.

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    Timeline of a book …

    So there’s a little more than a year to go to the February 2010 release of the first Assassin book (the wait is killing me too!). A lot of people wonder why it takes soooo loooong for books to be published, so I thought I’d share a rough timeline of the major events that have happened since I first got the idea for the book until you guys can go to the store and buy it next year. Here goes:

    Sometime around 2003 and 2004 (I think): I have an idea to write an epic fantasy novel about an assassin. I start writing said book, realize it’s crap, and start again. I start two or three more drafts, none of which are very good. Eventually, I put the idea aside to work on other stuff.

    October 2007: I’ve finished everything I need to do on Hot Mama (the second Bigtime book) and have a break in my writing schedule. I’m itching to write a new series, and I remember that half-finished, craptastic, epic assassin fantasy I started. I decide to change it to a modern-day setting and make it an urban fantasy. I send that proposal and several others to my agent. She thinks the Assassin proposal is the best and suggests that I focus on that one (which is good because that’s the one I really wanted to write).

    December 2007: I finish the first Assassin book and send it to my agent to read.

    December-April 2008: The agent reads Assassin and suggests some revisions, which I do. We go back and forth a couple of times with suggestions/revisions/etc. Other people also read the book and offer feedback.

    May 2008: The agent sends Assassin to an editor. I try to work on other things while I wait for news (waiting is definitely the hardest part of this whole process for me).

    June 2008: The editor gets back to my agent and says that she loves the first half of Assassin, but thinks that the back half needs to be totally scrapped, which is a major, major revision. The editor calls me, and we talk about the book and the series. Her suggestions are spot-on and help me look at the book/series in a whole new way. Basically, I throw away the last 50,000 words of the book and take the story in a completely different direction.

    This is really the major turning point of this whole process. Without this conversation, I doubt the book would have turned out as well as it did. But more important than that, the editor’s suggestions made me focus on what I do well and made writing fun again. Her ideas made the book into a fun, sexy, action-adventure Jennifer Estep book, instead of me trying to write a more angsty-type of book (which I don’t do very well).

    Mid-July 2008: I finish the revisions. My agent reads and loves the revisions and sends the book back to the editor. I start writing the second Assassin book to keep myself from obsessing (too much).

    August-September 2008: The editor who suggested the revisions loves the new take on the book and makes an offer for three books. My agent also gets another offer on the Assassin series. At this point, there are lots of e-mails and phone calls going back and forth between me and my agent, and my agent and the interested editors discussing the various deal points, etc.

    September 2008: We go with the first editor who suggested the revisions.

    November 2008: My editor tells me that there will be three Assassin books out in 2010 — February, June, and October. Which I think is pretty cool since the first book ends on a bit of a cliffhanger.

    Coming up in 2009: I’ll get cover art at some point, do a final round of revisions, do copy edits, and read through the page proofs for Assassin. In late December/early January, some reviews will start coming in. And then in February 2010 — about seven years after I first had the idea — you guys can actually read the book.

    So that’s a brief recap of the history of the Assassin series. So yeah, it’s a long wait, but I really think it will be worth it. I guess we’ll find out this time next year! 😎